RELATED: Watch the SYFY: The Roast of Todd McFarlane Panel! Tales From The Crypt: From Comic Books to Television (2004) But as a response to what was believed to be years of mistreatment toward creative talent by the industry’s leading publishers, a small – but influential – group of artists left Marvel Comics at the height of its popularity to form their own company, Image Comics. In 1992, Marvel Comics was the number-one publisher of comic books in the world, largely due to its dynamic artwork. This documentary interviews other cartoonists such as Scott McCloud, Colleen Doran, Harvey Pekar, Paul Pope, and Terry Moore to provide a look at both the evolution of Smith’s iconic work and the industry as a whole. His aforementioned series is hailed by many publications as one of the greatest graphic novels of all-time. The Cartoonist: Jeff Smith, Bone and the Changing Face of Comics follows the life of the Bone comic series, Jeff Smith. It tells the stories of overlooked women artists and writers like Ramona Fradon and Marie Severin who worked for DC and Marvel Comics, respectively as well as the rise of women in prominent positions in recent years. She Makes Comics explores the contributions women have made to the comic book industry since is early days in the 30s and 40s. This BBC Four documentary features interviews with the likes of Lee, Neil Gaiman, Alan Moore, Cat Yronwode, Ralph Macchio, Jerry Robinson, Mark Millar as Jonathan Ross attempts to track down Ditko. Ditko was the artist, writer, and co-creator (beside Stan Lee) of Marvel Comics’ Spider-Man, and Doctor Strange. The documentary explores things like Crumb’s complicated personality and opposition to the underground rebellion of the 60s that celebrated his work. Terry Zwigoff’s Crumb is about the life of his friend, underground cartoonist Robert Crumb ( Fritz the Cat ). In The Mindscape of Alan Moore, the author discusses his life, inspirations, philosophies, and work. His work includes Watchmen, V for Vendetta, From Hell, and Batman: The Killing Joker. The eclectic Alan Moore is considered by many to be one of the greatest comic book writers of all-time. This documentary covers the history of the British science fiction comic, 2000 AD from its beginnings in 1977 and its influence on the industry with outings like Judge Dredd to present day. Finger was never credited for his contributions to the Dark Knight’s mythos however, after his death, fans rallied behind the ghostwriter’s legacy, helping him to finally receive the recognition he deserved. While Bob Kane is widely known as the sole creator of Batman, Bill Finger contributed to the character’s costume, villains, and origin story. Joyce’s Hulu documentary, Batman & Bill, dissects the caped crusader’s creation. Batman & Bill (2017)ĭon Argott’s and Sheena M. The film features icons like Frank Miller, Stan Lee, Robert Crumb, and Harvey Pekar as they share anecdotes and read from their work. It looks at the medium’s rise with nationalistic characters in the 30s and 40s, the underground rebellions of the 60s, the dark stories of the 80s, and censorship by the Comic Code Authority. We see once again that great suffering makes a great artist.This older documentary outlines the history of comic books as an art form. However, as this film makes abundantly clear, Robert Crumb is practically the ideal model of a stable, well-adjusted person when compared to his mother or his brothers Charles and Maxon. "Crumb" is an excellent portrait of an exceptionally talented artist who also happens to be a total pervert. He is not much of a storyteller, but like I pointed out above, that is more than made up by the fact that he is always totally candid about his life, sometimes painfully and embarrassingly so. Quite simply, I don't think anyone can draw as well as he does. Crumb is probably the most talented comic book artist of the latter half of the 20t Century. I have been a fan of Crumb ever since I advanced beyond Donald Duck and Marvel Comics about 20 years ago (this is not to say that I don't love Donald or Marvel anymore, because I do). This is typical, Í think, of Crumb: he is uncompromisingly politically incorrect, completely unafraid to speak his mind openly, and above all disgusted by the idea of selling out for money. In this excellent film, directed by Terry Zwigoff (who also directed the excellent, and also comic book related, "Ghost World" and "American Splendor") Crumb starts out by telling that he hates just about all the work he is most famous for. Robert Crumb became an idol among hippies in the 1960's because of the psychedelic comics he drew at the time.
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